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Issue 17 2026
Accelerationist Biennialism and Its Discontents
Accelerationist Biennialism and Its Discontents
Introduction
Hongjohn Lin
Since the inauguration of the Venice Biennale in 1895, the biennial has evolved from a singular exhibition into an omnipresent global exhibitionary complex.2 Its proliferation accelerated markedly with the expansion of rapid globalization and the geopolitical shifts that followed……
Issue 17 Accelerationist Biennialism and Its Discontents
Henk Slager
Today’s interest in biennials seems to be particularly focused on manifestations in imagination-triggering metropolitan environments such as Berlin, Shanghai, São Paulo, and Dakar. That does not mean, though, that contributions to the artistic discourse……
Issue 17 Accelerationist Biennialism and Its Discontents
Feng-Yi Chu
According to available estimates, if exhibitions across art, design, and architecture, are counted together, there are currently around three hundred biennials worldwide. Even when considering only art biennials—already a substantial number……
Issue 17 Accelerationist Biennialism and Its Discontents
Chien Lee
The biennial, as a now-universal format for exhibiting both art and global relevance, has, as the adjective ‘universal’ suggests, paid the price of risking the loss of those sharper edges which might once have cut incisively into the cultural sphere……
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Curatography Issue 17 - Accelerationist Biennialism and Its Discontents

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Curatography Issue 5 - Curatorial Episteme

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Curatography Issue 2 - Curators’ Living Rooms

Curatography Issue 1 - Curatography